Making Your Own Paints: A Beginner’s Guide

The paints I made (plus some modern gold paint for comparison)
Paints I’ve madeĀ (plus some modern gold paint for comparison)

Pigments available to the medieval/renaissance illuminator included mineral and organic ones. The typical palette consisted of:

  • Black: from lamp soot, charred bone, other carbon sources (e.g. vine black, made from charred grape vines)
  • White: lead white; Cennini specifically mentions that other sources of white, such as chalk, have limited value to the artist
  • Browns: typically from various earth sources such as umber
  • Yellows: orpiment (arsenic sulphide), various ochres/earths, tin, saffron
  • Greens: verdigris (copper acetate produced via various chemical reactions), some earths, malachite (a mineral that also derives its color from copper)
  • Blues: lazurite (lapis lazuli, which yielded the expensive and desirable ultramarine blue), azurite, some copper compounds (including some forms of verdigris), indigo
  • Purple: turnsole
  • Reds: madder, minium (lead oxide), vermilion (cinnabar / mercuric sulphide), possibly kermes and cochineal

Continue reading “Making Your Own Paints: A Beginner’s Guide”

Advertisements