I’ve continued my glass painting experiments:
I have to say, I’m quite pleased with this. The glass itself came from Crate & Barrel, who have a pretty good selection of glassware that looks passably historical:
- This is the one I used (I think)
- Both of these are also nice: Josie 1, Josie 2.
- Rio could also work
Since the last time I posted about glass painting, I’ve switched paint brands. I got a set of Martha Stewart multi-surface craft paints. They are much cheaper than Pebeo and I personally like the colors better (especially this gold!). I am sure they are not as high quality as Pebeo paints, and time will tell how well they hold up. But they work very similarly in that you paint them on the glass, let them dry fully, and cure them in the oven.
I used a stencil for the quatrefoils, and I think I’m getting better with my stencil technique too:
Notice that my paint is bubbly. I don’t know if that’s the paint or user error.
Otherwise, the big breakthrough since the last time I posted about glass painting is switching to using more dots than lines. With my skill level and the gloppy consistency of the paint, this has been a much better way to yield something that looks decent.
This particular design is inspired by some of the patterns on this Italian hanging lamp.
I have started a board on Pinterest for examples of period painted glass — check it out. Unfortunately, most of the really beautiful figural paintings are utterly beyond me (at least for now!), but there are a few examples on there with simpler geometric designs that I’m inspired to try out.
This glass is going to be a volunteer thank you at An Tir’s Twelfth Night. Volunteer and you could be the one to take it home 🙂