One of the tasks I give to my students and apprentices is to keep an updated resume. I have a specific format that I use for these that I really like. After attending a local get together tonight and talking about this with some other folks, it seems like this is a tool that other people might find useful. So, here are my suggestions of what to put in an SCA A&S resume:
This is adapted from a handout from a class I taught at a Dragon’s Mist Arts and Sciences day in late April. The full handout is available in the Files section of this blog.
- Pick a style and stick to it. Look at multiple examples from the same time period and place as the finished piece that you are basing your work off of or what you are aiming for. Choose similar colors and use the same types of decorative elements. For more information, see my post of an art historical survey of illumination styles.
- Use historical or at least historically plausible colors. Avoid layering white over green, and spend enough time studying manuscripts and pigments that you have a sense of what colors were actually available. Scribes in specific time periods and places used distinct color palettes. Spend time looking at accurate facsimiles of medieval illuminations to determine what colors and combinations they found appealing.
- Use gold paint or gold leaf, not both. I have found almost no examples were gold paint and gold leaf were both used in the same page, although I’m sure they exist. Leaf was more commonly used prior to the 15th century, after which gold paint seems to be more common. (I’m still researching this and welcome corrections.)
- Go through the process of creating an illumination from start to finish, including planning and ruling out the page, at least once. This will help you see how medieval artists conceptualized the page: manuscript art is unique in that it blends both textual and visual elements. Your painting on a charter needs to reflect the artistic style of the design and be somehow united with the text itself.
- Keep in mind the purpose of this art form. Illuminated manuscripts were used devotionally both within public spaces of worship and by private individuals. The aesthetic of illumination grew out of this context. Arguably, this is why manuscript illumination was more stylized than realistic. The artwork that we produce within the SCA is wholly secular; however, it does follow the same stylistic conventions. Additionally, the charters and scrolls we produce are intended to produce strong emotions in their viewers, and are physical relics that our Crowns and Coronets provide to those they value highly. SCA scribes surely take their work just as seriously as medieval scribes did!