I dug a hole: adventures in quarantine madness

Spoiler for the rest of this post: I made these using dirt from my yard! And fire! Ha ha!

Hey so this whole global plague this is fun, yeah? Economic collapse, feeling of hopelessness, constant threat of debilitating illness and/or death? So fun! And I live in the US, so I am definitely 100% not terrified that the literal criminals running the country are going to get me killed! Ha ha! o_o

ANYWAY, while I’ve been home I’ve started actually diving into some of the particularly wacky “someday!” projects that I’ve been dreaming about for years. I love learning by doing, and I’ve always been really drawn to “deep wisdom” types of things like making cordage from tree bark and harvesting wild plants. We’ve been dealing with a major rat infestation in our entire neighborhood, and I was starting to seriously consider learning to tan tiny hides and make myself a cool apocalypse cape, but my wife strongly vetoed that. (Incidentally, before COVID hit, this winter I let a student talk me into mummifying a chicken toe as a little class side project, which inspired me to mummify an entire chicken foot, which I just remembered is in my garage somewhere because I tried to hide it from my wife so she wouldn’t throw it away — I should probably find that.)

One of those things I’ve always wanted to try was digging my own clay and making primitive pottery. I think a lot of people have this on their bucket list, actually; we must all read the same formative books. Lockdown gave me the motivation I needed to actually give it a go — with nowhere to go, why not do weird projects in the yard? It was time-consuming, but not actually that difficult, and every part of this project was 100% free. I’m hoping to do a how-to video at some point, but for now here’s a rough description of my process in case you want to try something like this yourself.

Bonus: this project resulted in me now having a fire pit in the yard

The first step is to dig a hole. It should be a relatively big hole, and the soil should have a high clay content. Save the dirt you dig out of the hole. If you want to use the same hole to pit-fire the clay, you can make it a bit fancier by lining it with bricks, as shown here.

To separate the clay from the rest of the dirt, you’ll take advantage of the fact that clay particles are much, much smaller than the other stuff in your dirt. Put some of the dirt you dug into a bucket and cover it completely with water. Let it soak about a day and stir it every so often. When you’re ready, give it a really vigorous stir and pour the dirty water through a screen into another bucket. This gets the big stuff out. Discard that big stuff and rinse the first bucket well.

Let the dirty water sit for 10-15 minutes. This allows the larger particles (sand, silt) to settle, but leaves the clay behind. While you wait, put a basket or colander in the first bucket and line it with cloth, an old bed sheet folded in half is ideal. Then, carefully pour the water-and-clay suspension into the cloth and let it drain to dry. Full disclosure: I found I had to pour the clay suspension into a third bucket while I waited for the water level in my cloth strainer to go down enough to add more to it, so be flexible about this part; the goal is to have the water catch the clay. It’s sort of like draining cheese. Let the clay drip dry until it’s pliable enough to use. For me this took many days, probably about a week all told.

You can wedge the clay to get the air bubbles out, which I didn’t really know how to do so I sort of half-assed that part, then build whatever you want to make. I made pinch pots, a goddess figurine, and used a leaf to make an impression on a thin slab of clay. It’s important to keep your pieces thin enough to dry easily. Once you’re happy with what you’ve made, put them in a safe, covered space and let them air dry as long as you can stand it. I think I made my first round of stuff in like April and didn’t fire them until July. Steam is what makes pots explode, so if you know you didn’t do a great job getting the air bubbles out, drying is crucial.

To fire your pots, line the bottom of your fire pit with wood shavings or sawdust, and use this to fill any spaces in the pots themselves. Arrange the pots in the pit and cover them with flammable stuff — paper, sticks, kindling, wood, etc. Light it on fire (yay!) and make sure the fire gets big and hot, because the clay needs to glow red to undergo the chemical changes of firing.

I obviously said “COOOOOOL!!!!” out loud when I peered down into my fire pit and saw a glowing pot.

Let the fire burn down to coals, and make sure the pottery is completely covered. I took the photo above when I was moving stuff around to get coals over that pot. If you want, you can smother the fire at this point by dumping dirt or sand on it. This causes the clay to turn black, which looks really cool. It also means you don’t have to hang out and watch your fire burn all the way down, and it gives your pottery a chance to slowly cool down, which reduces breakage.

The next day, when the sand / dirt is cooled off and you can easily dig into it with your bare hands without fear, it’s time to find out if it worked.

I like the natural red color and the black together.

I was so astonished that my pots didn’t break and that they were actually fired that I laughed out loud when I dug them up.

My two-year-old helped dig out the finished pottery. He was most interested in the “puhsun” (person) and “eef” (leaf). Although parts of it aren’t suitable for kids, a lot of this project was something that he and I could do together. He helped me dig the hole, he helped me with stirring and straining all that muddy water, he loved squishing the clay in his hands, and he helped me pick a leaf and press a ball of clay onto it for a second leaf plate (which is still drying). Older kids could have even more fun with this, and the opportunities for learning about history, archeology, art, physics, and chemistry are immense.

I hope this post inspires you to do a project that you’ve always wanted to try, especially if it’s something you’re not an expert at. I knew basically nothing about any of this when I started; I sort of understood some of the science behind it, which probably helped, but really when it comes down to it I just read a lot of guides online and then let myself experiment. You, too, can do the thing! And if you make a cape out of rat pelts, let me know how it goes, because I’m honestly still considering it.

How to transport pottery safely

Transporting pottery and glassware to and from SCA events is a somewhat perilous enterprise. A few years ago at a Cook’s Playdate*, Mistress Tangwystl showed off her brilliant solution: polar fleece baggies in various sizes into which pottery can be safely tucked for a long journey. 

  
I call them Pot Socks, The Fun Socks For Fun Pots! Try calling them that, the whole name — it’s super fun. 

I can’t take credit for this great idea, but I can give you a primer on how to make them. It’s dead easy. 

First you get some fleece (I made roughly 10 socks of a few sizes from 1.5 yards of fleece), then you decide what size(s) you want, then you cut them out and sew up the edges (use a serger or a zig-zag stitch). 

  
I found that 12″ was a pretty good width for most of my pipkins. For cups, 6-8″ by about the same length (doubled over) works well. I just used half thr width of the fabric for each sock, so each bag was maybe 15″ deep. 

Here’s a small sock for a glass:

   

 
I also made a giant pot sock (not pictured) for a large jug I have, and I’ve previously made a bunch in other sizes for my various drinking vessels. 

Experiment with sizes and make some pot socks (the fun socks for fun pots!) You can make them for plates and bowls, too. They’d make spectacular Twelfth Night gifts. Happy crafting!

*At An Tir / West War, cooks from booth kingdoms, plus now CAID, meet and camp and cook together. It’s the best thing that has ever existed. 

Buying Guide: Where I Get Pottery for Cooking

Cooks love pottery! I have an ever-growing collection of replica medieval pottery that I can use for open-fire cooking. Here are some of the potters whom I personally recommend. (Note that these are all located on the West coast of the US, just because of my own geography. If you have potters in other regions whom you recommend, please post a link in the comments.)

Two medieval German “grapen” / pipkins

Dragonfire Pottery (Mistress Gwen the Potter)

One of my first pipkins came from Mistress Gwen. I have put that poor thing through hell, and yet it is STILL going strong. I believe she tends to do more stoneware than earthenware. She does a fairly broad array of functional pottery, including different styles and sizes of medieval cooking pots. I know she sells her work at events, but she does not appear to currently have a schedule or an online store.

Mistress Morgaina

I probably have more pottery from Morgaina than anyone else. I have cooked in many of her pots and have loved them all. A few I have loved to death, but that just gave me an excuse to buy a new pot. She does both earthenware and stoneware, and has a particularly beautiful line of earthenware made with mica inclusions (they sparkle!) She makes a range of items of interest to the historical cook, with a particular focus on Viking and medieval replicas. She sells both at events and online.

Mercy / Raku Rake Tei: Shop and Blog

Located in CAID, Mercy makes forays up to An Tir / West War on occasion as well as selling online. Mercy made the historical pie plate that I use for most of my serious research pies. (Now that’s a thing I should start — there should be a Eulalia seal of approval for replica historical pie plates!) She does a range of items and styles, including some Roman / classical pieces.

Reannag Teine 

One of my most prized pipkins came from this team of talented potters — a long-handled pot based on a 13th century find from (where else?) York, England. A persona-appropriate pipkin! Eeeeeeeeee! It would appear from their website that they are not currently selling cooking pottery, but perhaps they will be again someday.

Mistress Sine / Whitehart Designs

I have only just bought my first pipkin from her (actually, I think it might have been made by her husband, whose name I can’t find at the moment) but I have high hopes for it.

I am always looking for more historical cooking pottery.

Feel free to post additional recommendations in the comments. As much as possible, try to keep the focus on potters who make functional historical cookware (rather than tableware, even if historical) because that tends to be harder to find.